Entry tags:
graveyard
![]() You remember dying. It's vivid and real, and you can absolutely remember taking your last breath. By all measures, that should have been the end. And yet, like waking from a deep sleep, you awake in a comfortable bed in a quaint little bedroom, and outside the window, you can see an even more quaint little neighborhood. You can get up to explore, but before you leave the bedroom, the radio inside flickers to life. "Good morning," Judy says, calm as ever, "Let me first say that I'm sorry that we've deceived you—" Because indeed, the more you look at this little neighborhood, the more it may feel familiar to you. It's almost like this was the kind of life you had before you ended up in the complex. Though as Judy explains, it wasn't a complex at all. The complex was something called a Vault, and the Vault was meant to protect you from the cataclysmic war that nearly wiped out humanity on the surface. You were kept safe. In a sense. It seems that the Vaults ultimately weren't much of protection in the first place. But Judy has done her best to ensure that your death in the Vault wasn't truly the end. Because of the nature of what was done to you, she was able to back up your existence in the servers that support the Vault. Strictly speaking, that's where you are now. You're a digital construct, and this neighborhood is Judy's idea of how to sustain you in the coming decades. That is the downside here, of course. All you can do is simply wait for someone to discover these servers, hoping they haven't failed by then. Perhaps there might be a way for you to return to the living then... Though for now, that's a distant dream. The neighborhood is small, but clearly will allow every person their own little home when they perish. There's a chance to expand it to include whatever amenities you may dream up, and there may already be some here. In addition, you can always watch the Vault to see how they're doing. There's a television in each home, and through it, you might understand how Judy can see so much. Flipping through the channels gives you a view of nearly every room in the Vault, at least until curfew falls. It's quality entertainment, since it gives you a way to keep tabs on the living. So, how will you spend your time? |
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When he wakes up, his memories come rushing back to him. He can recall his own family, distant and foreign. He remembers growing up alone with few acquaintances, no friends, parents who were more interested in their work than in raising a child. He remembers his surrogate family - the opportunity he'd been presented with. A path to move forward as the war grew closer. He was young but he was intelligent, and he understood the importance of early mobilization. He remembers Solomon, who he never got along with. He remembers Van, who he had gotten along with too well.
And he remembers Diva.
He had actually known someone here all along, but he hadn't been able to remember because of the stupid way this Vault had functioned. He'd feel betrayed, but honestly, he can't muster up any sort of anger or disgust or even agitation. He feels ancient in his youth, and as he walks outside of his cookie-cutter home into the unfamiliar terrain, he's more like a ghost than he's ever been.]
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Memories surge back to the forefront of her mind and mix together. She remembers a tower, but now she knows that it was the opposite. It was a place not unlike this. She remembers dreaming of seeing the sky there. But there are those newer, fake memories, and she dreams of seeing the ground. She knows which ones are real all at once, but it's unbearable and overwhelming, and the first thing Diva does as she wakes in an unfamiliar bed and hears Judy drone on is cry. Her hands come up to her eyes, and she presses her palms over them like the pressure might get it to stop. Each memory that trickles back is... sad. It's so sad, but in that, there is at least one relief that she can find in it.
She's finally free, isn't she?
It takes her longer than Charles, most likely, because there's a lot for her to parse through, but eventually, she wanders to the door of the little house. She opens it and looks out, and her eyes immediately turn to the sky. She stares at it for several long moments, but a flicker of movement catches her attention across the way. Her heart feels like it swells up and leaps into her throat, but she takes a few quick steps from the front step onto the little paved sidewalk that leads to the gate of the eerily perfect white picket fence. ]
Charles?
[ She calls out, and her voice is more fragile than she means. But in that blur of memories that comes back to her, seeing someone familiar is enough to almost get her to cry again. ]
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day six morning
Franziska...
[ like, she looks pretty torn up about this, but also, revenge is a dish best served cold. there isn't any pity, only thought in her face. honestly, if she'd been alive, she'd probably have... either defended fran with her life or tried to off her herself, depending on how things went. lara's not sure and the prospect of things swinging so wildly different is a bit terrifying. ]
That's the price you pay for speaking up, I suppose. Not a lot of blood... was she killed elsewhere?
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Dunno. I will say that we never quite know what tools we're working with when hits are put out. And I'll also say I've been blocked out. [Here he looks troubled.] I can only see the same things you're seeing. I can't tap into the murders.
Could be head trauma? Elizabeth was supposed to kill us with a bat, remember?
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JUDY
If you come talk to her, you'll realize who she is as soon as she speaks, though. Her monotone voice is unmistakable. ]
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[Oh guess who is so fucking mad to wake up and find out she is in a Vault. That she didn't even remember she was thrown into a Vault to begin with - something that shouldn't even be possible.]
Judy, as Scribe of the Brotherhood of Steel, I demand to know what the purpose of this Vault is. I am certain you understand that the Vaults were not designed as playgrounds for mass murder.
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Um, hello? I don't remember seeing you around before --
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[ just wonderin'. she's being polite, too. ]
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What're you doing here. [Because really. Who else can this be?]
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Hey, hey! Judy!
[ here is a rhys, jogging forward with a delighted look on his face as he approaches her. look, they're together now! ]
Like the look. Was this really you before the whole brain thing or something you came up with?
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Jack steps into the yard, and he'll probably go talk to... pretty much anyone, at this point. He doesn't exactly want to be alone, so if you look reasonably down with being approached? You are being approached. ]
So, sup, first of all. Second of all and way more importantly, want to go shoot some stuff?
[ Requesting a shooting range is one way to make friends and cope with your death, I guess. Maybe not a healthy way, but a way. ]
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Not yet.
[ she raises her fist, reels it back and pushes all of her power into a hard jab at his face. there's room to dodge, of course, if he really wants to. he still ended up dead - as mad as she is, she's not going to give him that much grief. ]
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So what will she do? Well, she's going to do her duty and "test" the limits of this Vault. For reporting purposes of course (no not at all actually.) Which means you'll be seeing her...uh...punching shit. A lot of shit. Buildings, trees, cars--]
Fucking Enclave assholes.
[Yeah someone may want to talk to her.]
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Safe distance it is. ]
Yyyeah, same. [ Might as well just vocalize it, at least. ] Why're you so pissed at- Uh, what'd you just say? "Enclave"? Thought this was all friggin' Vault-Tec's fault for, y'know, being lying dickholes.
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So yeah. He's not in the best of moods right now and it's apparent to anyone that walks past him standing at the front of the theater. If you've seen him around the complex before, this is a pretty weird and unusual sight to behold.
That said, the best thing to do is either convince him to do something dangerous slash anger management-y, or just talk to him like a good person??]
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Taking in the sights?
[ He opens up a conversation casually too, but don't be fooled, he's ready to book it if he has to... It's what he gets for trying to be nice!! After kind of being a dick. Whoops. ]
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VTBBS
—
After Luke convinced Judy to give the dead a more frequent way of talking to the living, the Vault-Tec BBS is now open. If you would like to send a message to the living, please post your message under this header. Also, please use the following form, since it'll help me make sure I'm replying to the right place! There will be a new toplevel for this during each IC day for the living, and depending on how it's used here, you guys may also get a new toplevel. Unsure, we'll see.
— LINK ; link to the comment you would like to reply to
YOUR MESSAGE HERE
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"...What if one of you was a staff member? What would happen then?"
Apparently the staff member would enter a death match. I can't believe you guys thought Parrish did it as a revenge kill for me. That's flattering, but proves you don't know him that well.
My turn: do you really think you guys know each other that well in the complex?
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because you're a crazy asshole
also fuck you
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¯\_(ツ)_/¯
What do you think?
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Re: VTBBS
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Re: VTBBS
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trial 5 party (?) time
Hey, so, kind of a weird thing to all gather 'round the TV to watch, realize that, but. Wanna come watch the trial later? Might, uh, be better to not watch it alone. Like, it's kinda weird. No judgement if you're not feeling it, though.
[ And as promised, if you're so inclined, Jack will be sitting on his couch come the trial, popcorn even in hand. The couch is in pretty rough shape because he kind of kicked the shit out of it and broke the frame, but. There is other seating.
Might as well given peanut gallery commentary on the trial together, right? ]
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Why is Rhys there.
[Why is anything happening the way it is. We died for this.]
For Luke (and anyone else who might want info?)
Okay, so, this is a strange situation. I'm not sure how much of my memories are real, though I feel strongly confident that I am who I say I am. Take whatever I say into your own opinions.
[She crosses her arms and takes a small breath, knowing she'll probably be looked on dubiously.]
I'm...from outside. All of you should have entered the Vault before October 2077 - the time period the Great War began and promptly ended. Mainly because everyone shot nuclear warheads at each other like a bunch of fucking idiots. However, I'm from 2881. It's been well over a hundred years since the war, and humanity has survived.
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Then what was the point of us making vaults and everything? [It's clear that the "us" he's referring to isn't staff. It's something from a life before.] What can you tell me about the war and the life after that?
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VTBBS DAY ELEVEN
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As before, the VTBBS returns! Please use the following format:
— LINK
MESSAGE HERE
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SERIOUSLY. DON'T KILL HIM. YOU'RE GOING TO REGRET IT. LEAVE CIEL ALONE AND LET HIM HELP YOU INSTEAD!!!! PLEASE LISTEN TO ME PLEASE PLEASE PLEASE
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Re: VTBBS DAY ELEVEN
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well, yes, rhys already got his nose broken even though he only just got here. that sure happened.
he'll stand in front of his and jack's house, arms crossed and frown on his face as he looks across the cul-de-sac and vaguely wonders what to do next. he's also kind of expecting someone else to jump out and attack him, really.
sup, y'all. reese is here too now. ]
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Though, while he caught wind of Rhys's arrival earlier, he didn't actually go to seek him out and pick a bone with him since Mitsutada had better things to do. It's by pure chance that he manages to encounter Rhys again on his way back home.
While he first notices his general presence and starts to puff up in anger, he's only calmed by the sight of the bandage on his nose with the assumption that someone already beat Mitustada to the punch. Literally.]
Oh, wow. I see you had a rough greeting?
DAY TWELVE
Just after that, everything disappears.
The cul-de-sac, the houses, literally everything in Judy's personal creation is gone, save for yourselves. You're all in some kind of void that's just empty. For about fifteen minutes, this is all there is.
But eventually, a simple terminal appears in the space.
This could be your last chance to communicate with the living. ]
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Of course.]